gifdrome:

.

#city #urban #train #gif

gifdrome:

.

#city #urban #train #gif

#free #birds #freedom 

#free #birds #freedom 

(via janaxd)

indypendent-thinking:

Untitled, Mobile, Alabama, 1956 © The Gordon Parks Foundation

#vintage #usa #1950 

indypendent-thinking:

Untitled, Mobile, Alabama, 1956 © The Gordon Parks Foundation

#vintage #usa #1950 

weirdvintage:

Blitz wedding, 1941 (via Vintage Photo LJ)



#war; #1941#wedding; #love; #vintage

weirdvintage:

Blitz wedding, 1941 (via Vintage Photo LJ)

#war; #1941#wedding; #love; #vintage

(via weirdvintage)

"Uno si mette a scrivere perché non sa tirare di boxe e non ha fegato,perché ha i denti storti e non può sorridere come vorrebbe. Uno si mette a scrivere perché ama una donna e lei è fidanzata, perché non ci sono illusioni nè luce alla fine del tunnel, perché c’era una volta l’amore ma ho dovuto ammazzarlo."

— Efraim Medina Reyes, C’era una volta l’amore ma ho dovuto ammazzarlo  (via ungiornoinpiudelleternita)

(via buthecatcameback)

barricadeur:

les mis in paris addendum: a couple days after my first trip to 16 rue de la verrerie (marius and courfeyrac’s apartment), i was in the neighborhood again and happened to walk past…only to notice that the big gates next door were open, allowing me access to the courtyard.

now, the marais (where #16 is located) is notable in paris for having survived a lot of the redevelopment of the nineteenth and twentieth centuries. so this courtyard is probably as it looked in 1832, when “courfeyrac” and “marius pontmercy” would have lived there. i also took photos of the side of #16 so you could see what the building looks like, as well as an antique water fountain that would have been used back in the day.

DISCLAIMER: PLEASE DO NOT GO BREAKING INTO PEOPLE’S COURTYARDS AND PRIVATE RESIDENCES. in this particular case, there was a shop at the back of the courtyard, allowing public traffic. HISTORY IS NO EXCUSE FOR TRESPASSING.

original post.

the full series.

(via jacobinenjolras)

abipolarcliche:

                                          “Whatever Happened” 

                                                THE STROKES                                

I want to be forgotten,
and I don’t want to be reminded.
You say “please don’t make this harder.”
No, I won’t yet.

I wanna be beside her.
She wanna be admired.
You say “please don’t make this harder.”
No, I won’t yet.

Oh dear, is it really all true?
Did they offend us and they want it to sound new?
Top ten ideas for countdown shows…
Whose culture is this and does anybody know?
I wait and tell myself “life ain’t chess,”
But no one comes in and yes, you’re alone…

You don’t miss me, I know.

Oh Tennessee, what did you write?
I come together in the middle of the night.
Oh that’s an ending that I can’t write, ‘cause
I’ve got you to let me down.

I want to be forgotten,
and I don’t want to be reminded.
You say “please don’t make this harder.”
No, I won’t yet.

I want to be beside her.
She wanna be admired.
You say “please don’t make this harder.”
No, I won’t yet…

(Fonte: anisedarkling)

jerajera:

Born to die | via Tumblr on We Heart It - http://weheartit.com/entry/57852084/via/jaiebesoain
Hearted from: http://coldhotcake.tumblr.com/post/43670353386

(via halalbion)

Tags: past remember

nicholasmax:

Follow me on Facebook https://www.facebook.com/NicholasScarpinatoPhotography
My favorite.